Open AccessLe paysage thanatique et féminin chez Gustave Moreau. Étude mythocritique de Orphée sur la tombe d’Eurydice
Author(s) -
María Fernández,
AUTHOR_ID
Publication year - 2021
Publication title -
çedille
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.125
H-Index - 3
ISSN - 1699-4949
DOI - 10.25145/j.cedille.2021.20.15
Subject(s) - archetype , mythology , art , painting , the symbolic , the imaginary , humanities , art history , literature , psychoanalysis , psychology
This article proposes to define the thanatic landscape as the manifestation of Hermes-Mercurius archetype within the symbolic universe of Gustave Moreau, specifically on Orphée sur la tombe d’Eurydice (1891) and his preserved writings. This is defined according to the duality that is so present in Moreau’s pictorial and literary work; between the text and the image, the tangible and the spiritual, the sacred and the profane, the masculine and the feminine. How do the human and sepulchral landscape elements, of religious and mythological origin, merge in the imaginary of the decadent literary painter? In response, this study includes a myth criticism approach and aims to apply the archetypal theory to the symbolic hermeneutics of landscape