
Landscape As Cultural Identity In Cau Bau Kan Movie
Author(s) -
Teddy Hendiawan,
Aris Rahmansyah
Publication year - 2019
Publication title -
balong : international journal of design
Language(s) - English
Resource type - Journals
eISSN - 2656-176X
pISSN - 2598-2826
DOI - 10.25134/balong.v2i2.2423
Subject(s) - meaning (existential) , identity (music) , style (visual arts) , narrative , cultural landscape , aesthetics , cultural identity , quality (philosophy) , sociology , social psychology , psychology , epistemology , geography , art , visual arts , literature , archaeology , philosophy , feeling
The aim of this research is to investigate the landscape as forming identity in the Cau Bau Kan movie scene. However, the landscape depicted is often symbolic, and often contributes to social formation, impacting on human associations and social norms. The purpose of this study is to know the meaning of landscape into a cultural identity from the Cau Bau Kan movie. This study uses texture analysis to reveal surface quality in a film. The use of textural analysis to interpret and analyze the interrelations of narrative, style, and meaning of the strategy of applying aspects of landscape as cultural identity.