Open AccessKRIYA KERAMIK: WUJUD, POSISI, DAN PERANNYA DI MASA KINI
Author(s) -
Akbar Adhi Satrio
Publication year - 2012
Publication title -
corak : jurnal seni kriya/corak
Language(s) - English
Resource type - Journals
eISSN - 2685-4708
pISSN - 2301-6027
DOI - 10.24821/corak.v1i2.2322
Subject(s) - craft , studio , handicraft , context (archaeology) , product (mathematics) , visual arts , engineering , art , geography , archaeology , geometry , mathematics
This article act as a response for what is kriya especially ceramic craft in nowadays context. Publicusually knows about ceramic is limited to traditional terracotta product that they usually found in acraftsmen village or an industrial mass produce ceramic that they always use in their everyday life.Kriya (or craft in the western term) now has grew more not only limited in the scope of tradition oreven a mass product only. There are many new small independent studio emerge as a new perceptionthat combine the potential of both industrial and traditional have. The role of educational institutionsare producing graduates working in the field of ceramic craft has established a new perception onhow it should craft in contemporary ceramics put his position in the midst of globalization. Ultimatelyconcluded that the ceramic craft began to position himself to a wider sphere, not only as a center forcraftsmen but also intangible and handicraft industries based independent studio-based designermaker. Keywords : kriya, ceramic, culture, identity