Open AccessMalays, China and Indian Ethnicities: A Case Study of Art and Ethnography Content Analysis and Multiculturalism on Upin-Ipin Animation
Author(s) -
Wenny Maya Arlena,
Ni Gusti Ayu Ketut Kurniasari
Publication year - 2013
Publication title -
jurnal aspikom/jurnal aspikom
Language(s) - English
Resource type - Journals
eISSN - 2548-8309
pISSN - 2087-0442
DOI - 10.24329/aspikom.v2i1.41
Subject(s) - malay , ethnic group , harmony (color) , ethnography , naxi , simplicity , china , multiculturalism , islam , tribe , sociology , aesthetics , gender studies , psychology , anthropology , geography , linguistics , art , visual arts , epistemology , philosophy , pedagogy , archaeology
This study aims to describe the ethnic group or tribe is a group of people whose members identify themselves with one another, usually based on lineage are considered the same as culture, language, religion traits, behaviors, or biological. Ethnicity is a fundamental factor in human life, interactions and intrinsic property of a group. The method of research used content analysis approaches and ethnographic art. The results showed
determination by mixing or races as “Peranakan”: for a mixture of Malay race with China, people who are determined according to their religion, for Malays in Malaysia it meant that the Muslim bumiputera, “the Mestis” for Hispanic mix by bumiputera.
Upin Ipin-released on September 14, 2010 in Malaysia and produced by Les’ Copaque. The results of this study show Upin-Ipin filled with simplicity in bringing Islamic values, education, manners, and respect among fellow was meant for all people of good Malaysian nation or religion. Good relations between different cultures (Malay, Chinese, Indian) were described in this animated film. Upin-Ipin animated movie brings
the perfect image and message, ie, with different cultures can create a good relationship with the harmony of differences in unity and simplicity.