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ART WORKS Projects: Claiming Public Space for Human Rights
Author(s) -
Leslie Thomas
Publication year - 2020
Publication title -
revista electrónica de derecho internacional contemporáneo
Language(s) - English
Resource type - Journals
eISSN - 2618-3048
pISSN - 2618-303X
DOI - 10.24215/2618303xe013
Subject(s) - exhibition , genocide , human rights , government (linguistics) , space (punctuation) , political science , law , sociology , art , visual arts , philosophy , linguistics
ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation first of the DARFUR/DARFUR exhibition of large-scale exterior projections and eventually to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and ultimately, perpetrators.

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