Open AccessAxes of Tension: Navigating craft, institution and industry as an art-researcher in film and new media
Author(s) -
Nadja Lipsyc,
Camilla Jaller,
Frederick M. Howard
Publication year - 2020
Publication title -
international journal of film and media arts
Language(s) - English
Resource type - Journals
ISSN - 2183-9271
DOI - 10.24140/ijfma.v5.n2.01
Subject(s) - craft , film industry , the arts , speculation , independence (probability theory) , institution , visual arts , sociology , creative industries , aesthetics , business , art , movie theater , social science , statistics , mathematics , finance
Artistic Research (AR) in collective, industrial arts can find itself to be an intense balancing act: film and new media are expensive forms that rely on commercial expectations and industrial integration, while artistic experimentation flourishes in independence and creative freedom. Transposing the model of the independent artist to large-scale collective productions challenges our vision of art, affiliation and integrity. AR researchers in film and new media can have radically different practices: from industrial creative producers to one-person camera documentarists, from VR designers to screenwriters and 3D artists. While our potential for creation and innovation is similar, our expectations and abilities are as diverse as the cost of our projects. Our contribution spans questions of affiliation, authorship, production and speculation, with the aim to bring clarification on what can be expected for and of diverse AR researchers in film and new media, and to promote the concrete establishment of appropriate support and supervision.