Open AccessSeeing Red and Feeling Blue: Social Commentary and Protest in the Work of Michael Reed
Author(s) -
Dorothee Pauli
Publication year - 2021
Language(s) - English
Resource type - Journals
ISSN - 2703-1713
DOI - 10.24135/backstory.vi9.65
Subject(s) - politics , power (physics) , feeling , social justice , work (physics) , economic justice , sociology , media studies , aesthetics , political science , law , art , political economy , psychology , mechanical engineering , social psychology , physics , quantum mechanics , engineering
Accounts of politically inspired art occupy the margins of New Zealand art history. The career of Michael Reed (born 1950, Christchurch) offers an opportunity to discuss how a New Zealand artist has responded to shifts in 20th and early 21st century global debates regarding social justice, economic exploitation, cultural domination and war. He works across a range of mainly print-based techniques but has also found international recognition for his technically innovative ‘medals of dishonor.’ Through his frequent involvement in collaborative projects, Reed has become part of national and international networks of artists who attempt to speak for the many victims of geo-political power struggles.