
The Synthesis of the Arts: from romanticism to postmodernism
Author(s) -
Lyudmila Lisunova,
Inna Prokopchuk,
Tetіana Tanko,
Nataliia Tararak,
Oleksandr Tararak
Publication year - 2021
Publication title -
laplage em revista
Language(s) - English
Resource type - Journals
ISSN - 2446-6220
DOI - 10.24115/s2446-6220202173b1525p.145-157
Subject(s) - the arts , postmodernism , sociology , aesthetics , romanticism , epistemology , visual arts , art , literature , philosophy
The article devoted to the genesis of the synthesis of the arts. The main research method is the cultural-historical approach, which allows considering this phenomenon in a historical perspective. Four stages were identified in the development of the arts: the primary syncretism of arts in primitive cultures; the separation of certain types of art and their acquisition of independence; the synthesis of the arts; the postmodern synesthesia of arts. The main ways of interaction of arts are determined: dominance, fusion, inclusion and juxtaposition. The authors of the article concluded that globalization, the development of technology, new types of communication contribute to the further complication and transformation of the synthesis of the arts, and such concepts close to it as “pluralism”, “interaction of arts”, “synesthesia” and “intermediality”. Broad prospects are opening up for the study of intermediality and multimedia as new heterogeneous semiotic systems.