Open AccessUnrealism in russian prose of early 20th century
Author(s) -
Елена Васильевна Астащенко
Publication year - 2020
Publication title -
laplage em revista
Language(s) - English
Resource type - Journals
ISSN - 2446-6220
DOI - 10.24115/s2446-622020206extra-c629p.75-85
Subject(s) - pathos , independence (probability theory) , mood , aesthetics , modernity , vanguard , history , literature , sociology , epistemology , psychology , art , social psychology , philosophy , mathematics , statistics , archaeology
The aim of the article is to analyze the multilevel manifestation of the text modality - from grammatical to aesthetic and build a general concept of unrealism as a peripheral, but permanent, constant of the modernist era. However, the ubiquity and dominant delimitation, necessary of structures with conjunctions of unreal comparison, with the predominance of those derived from future forms over those derived from the imperfect, also serves to strengthen the independence of the artwork from social pressure. Subsequently, the characteristic structures of modernity, analogous to the European "future in the past", building an alternative reality, are supplanted by the imperative mood of the second person, with the illocutionary act of calling for a change in the existing reality, in the primitive vanguard and the third person with the "pust" particle [let] in the middle of the 20th century, gradually degenerating into the imperative mood with the "puskai" particle [May], whose motivating pathos is extremely low.