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Feminism in Shashi Deshpande's That Long Silence and Anita Desai's Cry, the Peacock: A Comparative Study
Author(s) -
Priti Koolwal
Publication year - 2021
Publication title -
smart moves journal ijellh
Language(s) - English
Resource type - Journals
eISSN - 2582-4406
pISSN - 2582-3574
DOI - 10.24113/ijellh.v9i5.11055
Subject(s) - feminism , silence , gender studies , psyche , sociology , ideology , context (archaeology) , politics , psychoanalysis , aesthetics , history , psychology , philosophy , political science , law , archaeology
Feminism is a rapidly developing critical ideology of great promise. In the words of M.K. Bhatnagar, "Feminism in the Indian context is a by product of western liberalism in general and feminist thoughts in particular". With the social and cultural change in post independence India, women find themselves standing at the cross-roads. On one hand it is the consciousness of a changed time and on the other, the socio-cultural modes and values that have given them defined role towards themselves, have led to the fragmentation of the very psyche of these women. Caught between two worlds, they need to define themselves, their place in society and their relationship with surroundings. Anita Desai and Shashi Deshpande have constantly sought to come to grips with these problems of Indian womanhood and vividly and realistically portrayed the 'women question' and 'feministic traits' in their   novels. If comparative study is the study of literature across national, political and linguistic boundaries, feminism is the comparative work across boundaries of gender and culture. The main concern of this paper is to present a comparative study of the note of feminism in the best words of both these feministic writers, i.e. Anita Desai's Cry, The Peacock and Shashi Deshpande's That Long Silence.

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