An Analysis into the Travels of the Translated Self in V.S Naipaul’s Half A Life

V.S.Naipaul expertly exhibited a great craftsmanship in literary pieces like fiction, travel and journalistic writing. His fictional world reveals a critical look on the world and also utilizes its traditions, customs and cultures. Naipaul’s writing express the ambivalence of the exile, a feature of his own experience as an Indian in the West Indies, a West Indies in England, and a nomadic intellectual in a post colonial world. Naipaul adhered to the form of the traditional narrative, and by doing away with the technical devices of the stream of consciousness; he exhibits his power of writing by making his readers share the inevitable irony and paradox of modern life form by its quintessential self-division and inner conflict. The protagonist of Naipaul’s fiction may be different persons but there may be sensed a thread of continuity in their fate and there “limbotic” status. He has described the theme of a quest for identity, a sense of displacement, alienation, exile of an individual in the backdrop of colonial and postcolonial period. The act of displacement, his trying efforts to organize his experience, and his gazing back to know about his roots and his continuing search for the desirable self can be clearly stated in his novel Half A Life (2001). In the novel Half A Life, Willie Chandran is a migrant from one place to another and then to another. And he keeps on doing that through both Half A Life, and its sequel Magic Seeds (2004).