Open AccessAn Ecofeminist Analysis of the Movie Moana
Author(s) -
Mariamma Angel A
Publication year - 2022
Publication title -
smart moves journal ijellh
Language(s) - English
Resource type - Journals
eISSN - 2582-4406
pISSN - 2582-3574
DOI - 10.24113/ijellh.v10i1.11239
Subject(s) - harmony (color) , harmony with nature , perspective (graphical) , sociology , aesthetics , relation (database) , ecofeminism , ecology , epistemology , environmental ethics , philosophy , art , visual arts , biology , database , computer science
This paper attempts to explore the movie Moana from an eco-critical perspective wherein the concepts of domination of nature by mankind will be highlighted. It also examines the movie through a feminist point of view which foreshadows the subjugation of women by men that is prevalent in the movie. It puts forth the issues that prevails in the society and relates the movie with the present scenario of the society. This movie showcases the belief of deep ecology which says that everything in earth has life of its own and the entire universe is in harmony with each other. Ecosophy or ecophilosophy as described by Arne Naess is a term which examines Nature and our relation to it, it also signifies the philosophy of harmony in the entire ecosystem (“Ecosophy”). This wisdom of ecology is predominantly revealed by the female protagonist Moana in the movie Moana. This paper traces the instances from the movie that displays the consequences of interaction of human with Nature and the exploitation of both women and Nature due to the strong hold of the patriarchal attitude that a man believes within.