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European Carnival: traditions and nowadays
Author(s) -
Оlexander Kurochkin
Publication year - 2021
Publication title -
aktualʹnì pitannâ suspìlʹnih nauk ta ìstorìï medicini
Language(s) - English
Resource type - Journals
eISSN - 2411-6181
pISSN - 2311-9896
DOI - 10.24061/2411-6181.2.2021.272
Subject(s) - pathos , ideology , entertainment , bourgeoisie , history , aesthetics , sociology , phenomenon , literature , media studies , political science , art , law , epistemology , philosophy , politics
The problems of functioning of carnival traditions in the countries of Western Europe are examined in the given article. The ancient holidays of Dionysius and Saturnalia are the genetic ancestors, these were the periods when golden age seemed to be approaching the earth – the kingdom of universal equality and freedom. The carnival became a mass folk holiday with street processions, games, and theatrical performances in masks in the Middle Ages due to the development of European self-governing cities and the formation of the bourgeois class. Carnival theory is a field of active scientific discussion. While criticizing the vulnerable aspects of the carnival concept of M. Bakhtin, a representative of the international scientific community, they recognize the priority of the component structure of the public square laughter culture revealed by him. Inversion is the main idea of carnival illustrates change of the age, gender, social status of the participants of the festive event. One might receive a comprehensive knowledge of the international fund of carnival forms while analyzing its national variants. Taking this into account, the researcher might reveal the genesis and historical transformation of the most popular European carnivals, which are regularly performed in such cities as Venice, Cologne, Bensch, London. The European Carnival is the antithesis of a totalitarian holiday, which is characterized by excessive seriousness, false pathos, a stereotypical set of ideological slogans and clichйs. The experience of organizing carnival entertainment is interesting as an example of democratic festive communication, a bright artistic and aesthetic phenomenon, an example of successful self-organization of local communities.

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