
Studying Restoration Painting
Author(s) -
Emilia Laaksovirta
Publication year - 2021
Publication title -
tahiti
Language(s) - English
Resource type - Journals
ISSN - 2242-0665
DOI - 10.23995/tht.112171
Subject(s) - painting , conservation , interpretation (philosophy) , art , visual arts , computer science , environmental ethics , philosophy , programming language
In this article I discuss the history of restoration painting through art history and art conservation with the help of a case study. Restoration painting has a long history as a part of art conservation. The methods and theories of restoration painting have evolved along with the process of art conservation into a discipline of academic study. I discuss an old method of restoration painting called overpainting by means of a case study. Overpainting was quite a common practice, until it became viewed as unethical and unprofessional. The case study is a painting that was modified by overpainting. The modifications were done most likely at the same time as damages to the canvas were repaired, possibly sometime before the middle of the 20th century. The old overpaintings were removed during a complete restoration of the painting in 2018–2019. The removal of the overpaintings uncovered new possibilities for the interpretation of the motif of the painting. I briefly discuss the idea of the Italian tratteggio method of restoration painting, which in my view demonstrates a scientific turn in conservation. I also discuss new ways of using scientific methods of collecting data for decision making in restoration.