Open AccessJAMES JOYCE’S ARABY IN INTERARTS PERSPECTIVE OF CHINESE CLASSICAL ART THEORIES
Author(s) -
Min Hou
Publication year - 2021
Publication title -
risus - revista de inovação e sustentabilidade
Language(s) - English
Resource type - Journals
ISSN - 2179-3565
DOI - 10.23925/2179-3565.2020v11i4p04-11
Subject(s) - calligraphy , perspective (graphical) , enlightenment , humanity , poetry , classical chinese , literature , art , aesthetics , philosophy , art history , sociology , epistemology , visual arts , painting , theology
This paper explores the states of Chinese classical art theories in James Joyce’s Araby, revealing the idea resonance beyond visual and language media. The research method is Ekphrasis, a burgeoning interdisciplinary humanity in the 90s of the 20th century, providing opportunities for interarts researches, not only pictures in the poetry or the poetry in pictures, but multidimensional appreciation methods. James Joyce’s Araby is analyzed in this paper by enlightenment from calligraphy theories of Cai Yong, an official and scholar of the Eastern Han dynasty, to create interarts appreciation.