Open AccessThe icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren
Author(s) -
Dragan Vojvodić
Publication year - 2016
Publication title -
zograf
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.104
H-Index - 3
eISSN - 2406-0755
pISSN - 0350-1361
DOI - 10.2298/zog1640095v
Subject(s) - icon , painting , fresco , art , art history , serbian , visual arts , byzantine architecture , classics , philosophy , computer science , linguistics , programming language
Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Peć. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutić Church) is not acceptable. Furthermore, comparison of wall paintings in these and other contemporaneous churches in the area of Prizren, as well as the local icon paintings, does not substantiate the suggestion that an urban painting workshop operated in 14th-century Prizren. [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177036: Srpska srednjovekovna umetnost i njen evropski kontekst and Grant no. 177032: Tradicija, inovacija i identitet u vizantijskom svetu