
Different approaches to the scientific investigation of music
Author(s) -
Sanja Srećković
Publication year - 2019
Publication title -
theoria
Language(s) - English
Resource type - Journals
eISSN - 2406-081X
pISSN - 0351-2274
DOI - 10.2298/theo1904061s
Subject(s) - perspective (graphical) , phenomenon , music and emotion , music psychology , epistemology , range (aeronautics) , domain (mathematical analysis) , cognition , musicology , cognitive science , cognitive psychology , computer science , psychology , music history , music education , artificial intelligence , mathematics , philosophy , pedagogy , mathematical analysis , materials science , neuroscience , composite material
The paper deals with the approaches to researching music from the scientific perspective. It is argued that the scientific literature concerning music contains two different methodological approaches which significantly determine the range of possible conclusions to be reached by the research. The approach ?from the outside? investigates music by automatically applying to music the more general conclusions concerning human cognition and other capacities and behaviors. Thus, this approach omits music?s internal factors. In contrast, the approach ?from within? consists in empirically investigating reactions to music, capacities necessary for its understanding, performing, etc., and their relationships with the reactions and capacities outside the domain of music. The paper shows that, even though the scientific research of music is still in the beginning stage, the approach from within enables more complete explanations concerning music, due to taking into account a larger number of factors relevant for philosophical understanding of the phenomenon of music.