
Reception of Stevan Stojanovic Mokranjac’s composing creativity in the musical life of Bosnia and Herzegovina: Austro-Hungarian period
Author(s) -
Lana Paćuka
Publication year - 2014
Publication title -
muzikologija
Language(s) - English
Resource type - Journals
eISSN - 2406-0976
pISSN - 1450-9814
DOI - 10.2298/muz1416227p
Subject(s) - musical , period (music) , serbian , monarchy , creativity , history , art , literature , ancient history , aesthetics , law , political science , linguistics , politics , philosophy
With the arrival of the Austro-Hungarian Monarchy, Bosnia and Herzegovina encountered Western European social trends, which affected the shaping of musical life physiognomy in the late nineteenth and early twentieth century. In this extremely intricate relationship between national and pro-European-oriented cultural trends, Serbian composer Stevan Stojanović Mokranjac had a special position as a unique musical phenomenon, since he was a composer whose musical talent imposed itself as an authority in strengthening the national musical expression and serving as a guideline for numerous BH artists