
Representation of the World in the Novels of Arzhan Adarov
Author(s) -
Маргарита Сергеевна Дедина
Publication year - 2020
Publication title -
studia litterarum
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 3
eISSN - 2541-8564
pISSN - 2500-4247
DOI - 10.22455/2500-4247-2020-5-4-320-337
Subject(s) - soul , immortality , realm , aesthetics , politics , motif (music) , philosophy , literature , narrative , honor , theme (computing) , epistemology , vision , sociology , history , art , law , theology , archaeology , political science , computer science , operating system
The fictional world in A.O. Adarov’s novels corresponds to several levels of narration.First, there is the “real” time of the novel’s events; second, historical reconstructiongiven through subjective focalization; third, the realm of the unreal conveyed by visionsand dreams. The novel shows the modeled reality from the perspective of a particularperson, a survivor of political repressions. Through the categories of life and death,love and fate, honor and dignity, the novel speaks of the eternal ontological values andthe importance of self-identification in a very difficult time, a time of re-evaluationof old values and the search for moral guidelines. According to the author’s concept,traditional folk constants play a crucial role in the worldview and perception of theworld and turn out to be crucial for individual choice. The sacralization of space andthe presence of a symbolically charged topos in the center of the fictional world, itselfan infinite mosaic of various local territories, supports the idea of the spatial structureof the novel as a single cosmic whole. Conventional chronotopic boundaries as well asthe theme of death as a pass to the other world present in all the novels of this author,together with the motif of the “eternal return,” support his conception of the soul’simmortality.