Max Weber and the New Critical Theory of Hartmut Rosa: Updating the Classics

The article discusses a key issue for Russian and international Max Weber Studies: the epistemological possibilities and place of Weberian sociology in modern social theory. Discussion articles by well-known Russian scientists — who sharply criticized the actualizing direction of Weberian studies in general, and the religious, cultural, and sociological orientation in particular — are contrasted with the re-actualization and rethinking of key Weberian themes in the “New Critical Theory” of the influential German sociologist Hartmut Rosa. Such a projection will make it possible, on the one hand, to thematize the axiomatic assertion about the heuristic rather than concrete-content relevance of the classics; on the other hand, it will provide an opportunity to read Weber as a macrosociologist. In the original, criticized, and often rejected sociology of Rosa, Weber appears not only as a predecessor whose mention enhances the relevance of the new theoretical framework, but, above all, as an analyst and diagnostician of early modernity. Weber’s main ideas and theoretical constructions are organically built into Rosa’s methodological framework: analysis-diagnosis-praxis. The analysis of rationalization as a universal historical process of modernity in Weber’s sociology is rethought by Rosa as expansion and acceleration; disenchantment becomes a diagnosis of modernity and is recoded into alienation, while the concept of charisma is transformed into the key concept of resonance.