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Diversity of Genre in Post-Colonial Literature
Author(s) -
Нина Феликсовна Щербак
Publication year - 2021
Publication title -
polilingvialʹnostʹ i transkulʹturnye praktiki
Language(s) - English
Resource type - Journals
eISSN - 2618-8988
pISSN - 2618-897X
DOI - 10.22363/2618-897x-2021-18-3-295-300
Subject(s) - narrative , colonialism , aesthetics , white (mutation) , literature , romance , identity (music) , face (sociological concept) , diversity (politics) , history , realism , construct (python library) , beauty , sociology , art , anthropology , social science , computer science , biochemistry , chemistry , archaeology , gene , programming language
The main aim of this article is to outline main tendencies in the development of post-colonial literature in the face of Jean Rhys and her novel Wide Sargasso Sea as a vivid example of starting attempt to break a white-domineering view of Asian countries and build up a new identity. Research attempts to refer to a wider scope of literary texts, including the ones that outline issues and problems related to the so-called invasion narratives. The term invasion narratives is seen as referring to a number of different texts, including English Patient by Michael Ondaatje or the Reader by Bernhard Schlink. One of numerous possibilities of analyzing post-colonial literature is the analysis of the novels by Zadie Smith White Teeth and on Beauty, the latter being a good example of a return to realism and actualizing what is called coined as the meanwhile. Special attention is given to meta-modernism and its function on the contemporary cultural and literary scene, above all with its attempt to start a neo-romantic direct kind of prose, or verse, simple in its form, yet aiming to construct new identities. This kind of prose incorporates the narratives exploring different traumas, including trans-generational traumas.

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