
Idiomatics of the Russian Avant-Garde from the Perspective of Lexicography
Author(s) -
Irina V. Zykova
Publication year - 2021
Publication title -
vestnik rossijskogo fonda fundamentalʹnyh issledovanij. gumanitarnye i obŝestvennye nauki/vestnik rffi. gumanitarnye i obŝestvennye nauki
Language(s) - English
Resource type - Journals
eISSN - 2587-8956
pISSN - 2587-6090
DOI - 10.22204/2587-8956-2020-101-04-80-91
Subject(s) - lexicography , glossary , avant garde , perspective (graphical) , lexicographical order , linguistics , computer science , philology , relevance (law) , vocabulary , field (mathematics) , trace (psycholinguistics) , literature , history , sociology , artificial intelligence , art , philosophy , art history , political science , gender studies , mathematics , combinatorics , feminism , pure mathematics , law
The article describes the practices of lexicographical analysis of idiomatic units related to the Russian avant-garde and experience in developing principles to present such units in the developed dictionary – “Idiomatics of the Russian Avant-garde: Cubo-Futurism”. The author demonstrates the relevance of lexicographical studies of literary and artistic works of representatives of the avant-garde movement. The definition of the Russian avant-garde idiomatics is formulated on the basis of its distinctive features identified. The article outlines that the unique nature of avant-garde idiomatics, involving the integration of verbal and non-verbal idioms, supposes creating a specific methodology for its vocabulary definition.
Special focus is made on the elaborated approach to compile the glossary of the developed Dictionary, to create its macro- and microstructure. As a result of studies, new scientific concepts have been formulated and the need to integrate new zones into the structure of dictionary entries has been demonstrated. The author makes a conclusion on the proposed use of the developed Dictionary and notes the possibility to develop a new interdisciplinary field – “Avant-Garde Idiomatics”, based on the interrelation of Philology and Art History.