Open AccessCategory of Time and the Concept of Ideal Residence of the Monarch in the Architecture of the Great Livadia Palace
Author(s) -
Инесса Слюнькова,
Inessa N. Slyunkova
Publication year - 2019
Publication title -
vestnik rossijskogo fonda fundamentalʹnyh issledovanij. gumanitarnye i obŝestvennye nauki/vestnik rffi. gumanitarnye i obŝestvennye nauki
Language(s) - English
Resource type - Journals
eISSN - 2587-8956
pISSN - 2587-6090
DOI - 10.22204/2587-8956-2019-095-02-122-136
Subject(s) - architecture , residence , history of architecture , ideal (ethics) , order (exchange) , landmark , similarity (geometry) , focus (optics) , history , art history , visual arts , art , architectural engineering , sociology , computer science , engineering , cartography , geography , philosophy , epistemology , artificial intelligence , demography , physics , image (mathematics) , finance , economics , optics
The paper describes the findings of some new historical and architectural surveys of the great Livadia Palace in H2 of the 19th — early 20th centuries. Belonging to the Russian monarchs — from Alexander II to Nicholas II — the building is a monument of architecture and the landmark of the palace and park ensemble in the Crimea. For the first time, the equal focus was given to the original and the new palace that replaced it and was built according to the designs of architects I.A. Monighetti (1866) and M.P. Krasnov (1911), a graphical comparative analysis of layouts was carried out. The author has used the newly discovered archival materials and graphic sources, which indicate the replacement of one palace by another and allow raising the question of similarity lines and fundamental differences between the architecture of the old and the new buildings, due to the content of the order and the unbiased historical course of time. The author dwells upon the interaction of the new art of symbolism in the early 20th century with the architectural texts of the past. She hypothesizes about the search for the artistic equivalent of existential perception of time in the architecture.