Open AccessAn t-Each-Uisge
Author(s) -
Raghnall MacilleDhuibh
Publication year - 2017
Publication title -
scottish studies
Language(s) - English
Resource type - Journals
eISSN - 2052-3629
pISSN - 0036-9411
DOI - 10.2218/ss.v37i0.1801
Subject(s) - iconography , magic (telescope) , pony , symbol (formal) , guardian , art , monster , serpent (symbolism) , art history , typology , history , ancient history , literature , archaeology , philosophy , linguistics , law , physics , quantum mechanics , political science
Traditional descriptions of the Gaelic water-horse display intriguing similarities to the mysterious ‘Pictish Beast’ or ‘Swimming Elephant’, the most ubiquitous yet least recognisable creature of our symbol-stones, which is dateable to c. AD 700. This paper sets out a typology of water-horse stories and attempts to show that they can be dated to that period. It then considers whether the iconography of the Beast, the ‘head-lappet’ in particular, can be explained in terms of the ethnography of the water-horse, whose principal attribute is its cap or magic bridle. The Torrs Pony-Cap, Adomnán’s river-monster and the ‘kelpie’ of Lowland tradition are taken into account, and it is suggested in conclusion that the water-horse and kelpie are Gaelic and Anglo-Norman reflexes of a leading Pictish deity, the guardian of their otherworld.