Open AccessTunes of Glory
Author(s) -
Brian James MacLeod
Publication year - 2020
Publication title -
music.ology.eca
Language(s) - English
Resource type - Journals
ISSN - 2752-7069
DOI - 10.2218/music.2020.5699
Subject(s) - period (music) , glory , transformative learning , politics , history , social change , musical , sociology , political science , gender studies , aesthetics , literature , art , law , pedagogy , physics , optics
The late-16th through to the early-17th century was a period of unprecedented upheaval and conflict throughout the British Isles. This article explores the transformative rise in social status of pipers in Highland society during this period of social, political, economic, and cultural change. Bagpipes, traditionally assigned a low-caste role in society in Ireland and Scotland, were transformed into a vehicle for a highly developed form of musical composition, ceòl mòr (‘great music’). The article examines the factors which allowed the families of hereditary pipers to achieve this significant change in fortune, whilst the highlighting the unique compositional form of pipe music which enabled their entry into the upper echelons of Gaelic society in Scotland.