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Осмысление дороги в аспекте диспозиции «свой» и «чужой» (на материале калмыцкой политической баллады ХХ в.)
Author(s) -
Rimma М. Khaninova
Publication year - 2020
Publication title -
bûlletenʹ kalmyckogo naučnogo centra ran
Language(s) - English
Resource type - Journals
ISSN - 2587-6503
DOI - 10.22162/2587-6503-2020-4-16-332-344
Subject(s) - ballad , communism , politics , ideology , prison , democracy , law , sociology , history , literature , political science , art , poetry
The article discusses the concept of “road” in the aspect of the disposition of “your” and “alien” on the material of Kalmyk political ballad of the XX century —”Julian Grimau” (Rus. transl. “The Ballad about Communist”) by Yegor Budzhalov and “Ooshk torhn — Rosa kyukn” (Rus. transl. “Ballad about the girl Rosa”) by Moradzhi Narmaev. The political perspective of these ballads is determined by historical events (civil war, imprisonment of political figures, execution, loss of eyesight), historical characters (Julian Grimau, Henry Winston), the members of the Communist Party of their countries, the main place names (Spain, the United States of America, the Soviet Union). The dichotomy of “one’s own” and “another’s” in Budzhalov’s ballad demonstrates political (fascism and democracy), ideological (imperialism and the communist Party), social (protest of different countries against the verdict of Grimau) and personal (Franco and Grimau) vectors. This is the boundary between the life and death of the hero, his path to the grave, to non-existence, physical and spiritual immortality, it is the conclusion of his human fate. In the Narmaev’s ballad the “one’s own” and “another’s” disposition is represented in theintercrossing of different people’s lives — the American communist G. Winston, his opponents, his friends, Soviet people, including the author himself, Soviet Youth and Rosa girl in particular — when the “stranger” communist from the USA becomes “one’s own” like-minded person, when a stranger literally becomes a blood relative, when long distances do not become an obstacle to good deeds and thoughts, when someone else’s life is saved at the cost of self-sacrifice. These works of Kalmyk poets bear the imprint of their time in a pronounced socio-political and ideological perspective, without reducing the humanistic and moral-ethical vector of the author’s intention.

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