
تشكيل الخطاب الشعري بين المعنى والمقام قصيدة البردة لكعب بن زهير أنموذجا
Author(s) -
Ismaeel Ibrahim Mustafa,
Kawther Mohammed Ahmad
Publication year - 2017
Publication title -
govarî zankoy geşepedanî miroyî
Language(s) - English
Resource type - Journals
eISSN - 2411-7765
pISSN - 2411-7757
DOI - 10.21928/juhd.v3n4y2017.pp268-281
Subject(s) - poetry , islam , negotiation , literature , perception , meaning (existential) , context (archaeology) , philosophy , sociology , art , linguistics , history , epistemology , theology , social science , archaeology
The subject of this study is in the field of discourse, And specifically how to form a poetic discourse, And looks for the most important factors in this regard, It appeared that the poet in the process of artistic construction of the poem takes the context into account, While relying on his technical experience, This will put him in the process of compatibility between influential.
With regard to a poet who lived before Islam and fed a Jahiliyya culture and he wanted to produce a poetic speech in an Islamic context, It becomes more important in the content of his discourse, While seeking to satisfy the consignee he draws from his accumulated culture, And is in negotiations between the two sides.
Our poet “Kaab bin Zuhair” poet Jahili, But he said poetry before the Messenger of Allah, He had to consider his position and the context of his poem, This has resulted in the poem “AlBurda”, It was discussed during the research on the question of meaning and its relationship to human perception.