
Creative Data Mining Diamonds in Dystopia
Author(s) -
Jesse Allison,
Vincent Cellucci,
Derek Ostrenko
Publication year - 2018
Publication title -
nmc media-n
Language(s) - English
Resource type - Journals
ISSN - 1942-017X
DOI - 10.21900/j.median.v13i1.6
Subject(s) - dystopia , interactivity , computer science , poetry , entertainment , event (particle physics) , sensibility , world wide web , multimedia , literature , art , artificial intelligence , visual arts , physics , quantum mechanics
One of the most popular new media platforms for the proliferation and distribution of ideas related to Technology, Entertainment, and Design is produced in the form of TED Talks. For the independent TED event—designated by the x—TEDxLSU, three media artists developed a poetry performance web app, Diamonds in Dystopia, which applies advanced coding techniques to aggregate TED Talk transcripts as found text to generate new stanzas using a found text and Markov chains creative process, which enables succinct recombination of massive amounts of language as source material. This addition pushes the boundaries of the TED Talk by adding another exciting and popular form of new media, interactivity, to the mixture of mediums. Performance-scaled interactivity, specifically using mobile devices in an audience comprised of hundreds of users swaps the individualized information dissemination system and turns it into one capable of creative output or collaboration. The collaborative text contributed by the audience in Diamonds in Dystopia further engages information dissemination because the user’s interaction enables a parallel creative bond to form between the audience experience and the performing poet, in terms of the text methodology employed. By picking or clicking on the individual word selections of a seed poem that resonate with them, audience members create Markov chain reactions that creatively recombine and datamine a database of over 2,500 TED Talks to send a flurry of improvisational stanzas to the poet, which he then improvises into the poem on stage, creating and archiving an event-specific version of the poem and performance.