Open AccessWhat’s Whitney Got to Do with It: Black Female Triumph and Tragedy in the 2015 Lifetime Biopic Whitney
Author(s) -
Jaap Kooijman
Publication year - 2021
Publication title -
european journal of life writing
Language(s) - English
Resource type - Journals
ISSN - 2211-243X
DOI - 10.21827/ejlw.10.37919
Subject(s) - biography , tragedy (event) , hollywood , musical , history , art history , subject (documents) , performance art , art , agency (philosophy) , white (mutation) , literature , sociology , computer science , social science , biochemistry , chemistry , library science , gene
In 2015, the cable television network Lifetime broadcast the biopic Whitney, depicting the troubled life of the late superstar singer Whitney Houston. Whitney is the first film by director Angela Bassett, who, as actress, famously portraited Tina Turner in the biopic What’s Love Got to Do with It (Brian Gibson, 1993). In this article, I will first position Whitney within a larger tradition of the Hollywood biopic by making a comparison to earlier important biopics about black female entertainers, namely Lady Sings the Blues (Sidney J. Furie, 1972), starring Diana Ross as Billie Holiday, and What’s Love Got to Do with It. Second, I will discuss how the narratives of these three biopics tend to reduce their female subjects to victims, emphasizing the tragedy in their personal lives, while assigning much more agency to the male partners of these black female entertainers. Third and finally, I will analyze the final scenes of these three biopics in detail, as each presents a grand finale musical performance that seems to resolve the contradictions of the triumph and tragedy in their subject’s lives, yet in significantly different ways.