Open Access‘Full cause of weeping’: Affective Failure in The Queen (2006) and The Crown (2019)
Author(s) -
Bethany Layne
Publication year - 2021
Publication title -
european journal of life writing
Language(s) - English
Resource type - Journals
ISSN - 2211-243X
DOI - 10.21827/ejlw.10.37912
Subject(s) - tragedy (event) , queen (butterfly) , portrait , history , narrative , plot (graphics) , literature , art , art history , hymenoptera , botany , biology , statistics , mathematics
This article reads The Crown, Series Three, Episode Three, ‘Aberfan’, as an adaptation of The Queen, both of which were written by Peter Morgan. Each focuses on a crisis in public relations emerging from Elizabeth II’s delayed reaction to a tragedy: the mining disaster in The Crown and the death of Princess Diana in The Queen. Both are double portraits, in which the monarch’s affective failure is contrasted with the more humane response of the prime minister, Harold Wilson and Tony Blair respectively. And both texts explore the tension between private grief and public performance. By reading these texts in dialogue, their relevance to their contemporary contexts is magnified. The Queen uses Elizabeth II’s nadir in public relations to comment on Blair’s fall from grace as a result of the Iraq War, while ‘Aberfan’, by emphasising the avoidable nature of the disaster, comments on the Grenfell Tower fire of 2017. While neither text shrinks from criticising the monarch for her breakdown in empathy, the resonances between Aberfan and Grenfell allow the Queen’s immediate and humane response in 2017 to redeem her delayed reactions in the past. This demonstrates the capacity of fictional texts to intervene in the popular perception of their subjects.