
“Pensar com as mãos”: o radical processo de intertextualidade godardiana em Imagem e Palavra
Author(s) -
Maria Altberg
Publication year - 2020
Publication title -
elyra
Language(s) - English
Resource type - Journals
ISSN - 2182-8954
DOI - 10.21747/21828954/ely15a4
Subject(s) - film director , normality , feature film , art , aesthetics , point (geometry) , philosophy , literature , art history , psychology , movie theater , mathematics , social psychology , geometry
The starting point of this article is the feature film The Image Book (2018), by Jean--Luc Godard, anchored in the idea of “thinking with your hands”. A conspicuous characteristic of the filmmaker’s work, the manipulation of sounds and images, is taken to the limit in this film-book. The aesthetic options and editing procedures presented provide an extreme sensorial experience. This thought-provoking language, free of a télos, merges with life itself. Based on the artistic and political tapestry woven by Godard, the article invites theorists and artists who, escaping from normality, made the challenging journey of thinking stories that can resist time(s)