
Perspektywa jako narzędzie komunikacji. Fotografie mody autorstwa Jeanloupa Sieffa
Author(s) -
Anna Piszczałka
Publication year - 2019
Publication title -
załącznik kulturoznawczy
Language(s) - English
Resource type - Journals
eISSN - 2451-4233
pISSN - 2392-2338
DOI - 10.21697/zk.2019.6.23
Subject(s) - perspective (graphical) , meaning (existential) , illusion , dimension (graph theory) , focus (optics) , photography , visual arts , art , computer science , aesthetics , epistemology , psychology , philosophy , mathematics , optics , physics , cognitive psychology , pure mathematics
The aim of the article is to confirm the assumption that perspective is one of the tools that build a photographic act of communication. It has been observed that the perspective allows to obtain the illusion of the third dimension on the two-dimensional surface of the photograph but also creates multiple systems of meaning and even becomes a symbolic form. The focus was on the works of Jeanloupe Sieff, a photographer who used a perspective tool in an innovative way that allowed him to create both realistic, ‘superficial’ presentations and surrealistic, ‘deep’ meaning contexts.