Kino powojenne i pułapki naszej świadomości | Zendy

Tadeusz Sobolewski | Zendy

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Kino powojenne i pułapki naszej świadomości

Author(s) -

Tadeusz Sobolewski

Publication year - 2015

Publication title -

załącznik kulturoznawczy

Language(s) - English

Resource type - Journals

eISSN - 2451-4233

pISSN - 2392-2338

DOI - 10.21697/zk.2015.2.10

Subject(s) - patriotism , representation (politics) , messianism , consciousness , movie theater , art , history , literature , philosophy , law , political science , archaeology , epistemology , judaism , politics

The article is a reflection on postwar Polish cinema as a representation of Polish mentality. The analysis is based on the following films: Andrzej Wajda’s Popiół i diament (Ashes and Diamonds) and Marek Koterski’s Wszyscy jesteśmy Chrystusami (We’re All Christs) whose juxtaposition allows to visualize a complex characteristic for Polish consciousness – mournful patriotism, which is associated with messianism. Artistic artifacts are treated as a complementary element that comment on the social reality of specific historical moments

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