Open AccessDOM JAKO FIGURA ARTYSTYCZNA W POEZJI TERESY FERENC. WSTĘP DO PROBLEMATYKI
Author(s) -
Aleksandra Pawlik-Kopek
Publication year - 2016
Publication title -
colloquia litteraria
Language(s) - English
Resource type - Journals
eISSN - 2353-8112
pISSN - 1896-3455
DOI - 10.21697/cl.2015.2.03
Subject(s) - topos theory , poetry , symbol (formal) , sociology , art , literature , aesthetics , philosophy , linguistics
The article tentatively identifies issues regarding home as artistic figure in Teresa Fernenc’s poetry. To indicate how home consists of two topoi, locus amoenus and locus horribilis, the author, for example, uses the tools worked out by the geopoetics field. Home appears to be a place formed as a result of authentic experience of Ferenc as well as a symbol of the wartime fate of its inhabitants, in addition to symbolizing the restoration of the original order, which holds crucial importance for the ontological status of the subject in the writer’s works. Home, understood in these terms, crystalizes as individual experience, poetic imagination, and literary and cultural inspirations of the poet.