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CHURCH MUSEUM IN THE PRE-REVOLUTIONARY PERIOD: STAGES AND FACTORS OF FORMATION
Author(s) -
L. S. Alekseeva,
А. В. Горбатов
Publication year - 2018
Publication title -
vestnik kemerovskogo gosudarstvennogo universiteta
Language(s) - English
Resource type - Journals
eISSN - 2078-8983
pISSN - 2078-8975
DOI - 10.21603/2078-8975-2018-2-5-10
Subject(s) - periodization , orthodoxy , period (music) , context (archaeology) , institution , norm (philosophy) , history , sociology , art , aesthetics , social science , political science , ancient history , archaeology , law
At the turn of the XIX–XX centuries in Russia a group of church museums acquired the status of "cultural norm". In the application  of the comprehensive approach with chronological and evolutionary  principles, the authors of the article traced the process of the most  important evolutionary stages of the development of pre- revolutionary church museums. The basis for the proposed  periodization is the dynamics of the development of this group of  museums, according to the historical and cultural context. A key  feature of these stages is the change in the public perception of  church monuments separately from the liturgical process. On the  basis of the conducted research, the authors singled out three stages of the formation and development of the pre-revolutionary church  museum: from its forms to the socio-cultural institution. The model  of the Berlin  Christian Educational Museum was used as a model for  Russian church museum and adapted to Orthodoxy. The authors also identified a number of factors that contributed to the spread of the network of church museums in the pre-revoluti onary period.

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