Open AccessREADER'S SKILL
Author(s) -
V. I. Tyupa
Publication year - 2018
Publication title -
vestnik kemerovskogo gosudarstvennogo universiteta
Language(s) - English
Resource type - Journals
eISSN - 2078-8983
pISSN - 2078-8975
DOI - 10.21603/2078-8975-2017-4-219-224
Subject(s) - consciousness , reading (process) , silence , hero , empathy , perception , creativity , meaning (existential) , relation (database) , psychology , aesthetics , literature , linguistics , art , philosophy , social psychology , computer science , database , neuroscience , psychotherapist
The article deals with the issues of artistic perception culture of fictional texts. The sufficiency of literary reading is derived from the aesthetic specificity of verbal art: from special status of an author's figure, from the special nature of the artistic sense, from the special text organization as a combination of the reader's impression factors. According to M. Bakhtin, literature is interpreted as the art of “indirect speaking”, where the author “puts on silence” because in fictional text we never deal with the writer's speech, it is always mediated by the figure of the talking hero or the narrator. The artistic perception of fictional texts should be studied as a reader's skill. The culture of reading is the complementarity of two differently directed vectors: it is a deep and sincere empathy, as if it were reality; on the other hand – the reader's creativity in relation to the text artfullness, which conceals the meaning of the art work. The artistic sense is actualized by the reader's consciousness as complementary to the author's consciousness manifested in the text.