Open AccessBeing and Showtime: ReView
Author(s) -
Beverly Fresh
Publication year - 2022
Publication title -
performance philosophy/performance philosophy
Language(s) - English
Resource type - Journals
eISSN - 2947-5589
pISSN - 2057-7176
DOI - 10.21476/pp.2022.71376
Subject(s) - consciousness , phenomenology (philosophy) , repetition (rhetorical device) , philosophy of space and time , computer science , action (physics) , reading (process) , zeno's paradoxes , cognitive science , ode , epistemology , psychology , linguistics , philosophy , art , literature , western philosophy , physics , quantum mechanics
In the ReView I will re-experience notions of time explored in “The About Time Show” (Chapter 6 of Being And Showtime) which repeats and extends Edmund Husserl’s Phenomenology and Time-Consciousness. I first became interested in using common language to disorient the audience in a 2015 iteration of my traveling one-man show called “MR. MDWST.” From 2017-2019 I further explored how language can dislocate time through guttural chanting, repetition, and call and response in “Wild American Dogs Big Time Traveling Tent Revival,” another performance project. Reading Steeves’ chapter on time revived and deepened my interest in the potential of vocal performance to confuse time and space and inspired me to compose “Ode to H. Peter Steeves” and to resurrect my own examination of time through a newly created series of multi-modal, multi-dimensional performances re-presenting Steeves’ investigation in new forms of action. This ReView will lead Performance Philosophy audiences to re-experience notions of time by intentionally disorientating through an expanded ReView format and the performance of language thus disrupting our shared experiences of time.