
Being in Touch: A metamorphosis of Jan Fabre’s <i>The Castles of the Hour Blue</i> into bodies of longing
Author(s) -
Sylvia Solakidi
Publication year - 2022
Publication title -
performance philosophy/performance philosophy
Language(s) - English
Resource type - Journals
eISSN - 2947-5589
pISSN - 2057-7176
DOI - 10.21476/pp.2022.71348
Subject(s) - metamorphosis , isolation (microbiology) , distancing , parenthesis , art , covid-19 , visual arts , art history , medicine , philosophy , biology , ecology , larva , linguistics , disease , pathology , infectious disease (medical specialty) , microbiology and biotechnology
The writer searches for ways of not losing touch with people during the covid-19 pandemic and the rules of social distancing. She realizes that isolation from people has led to a parenthesis of time and isolation from the future. By re-viewing her experience from the exhibtion The Castles of the Hour Blue of the Belgian visual and theatre artist Jan Fabre that she has visited twice, she explores the possibility of a future as longing, through the concept of metamorphosis and Fabre's creative coping with time.