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Laruelle, Immanence, and Performance: What Does Non-Philosophy Do?
Author(s) -
John Ó Maoilearca
Publication year - 2017
Publication title -
performance philosophy/performance philosophy
Language(s) - English
Resource type - Journals
eISSN - 2947-5589
pISSN - 2057-7176
DOI - 10.21476/pp.2017.33143
Subject(s) - performative utterance , immanence , ordinary language philosophy , epistemology , philosophy , transcendental number , pragmatics , philosophy of language , action (physics) , metaphilosophy , western philosophy , sociology , linguistics , metaphysics , physics , quantum mechanics
François Laruelle’s ‘non-philosophical’ practice is connected to its performative language, such that to the question 'what is it to think?, non-philosophy responds that thinking is not “thought”, but performing. Non-philosophy is equally described by Laruelle as ‘transcendental practice’, an ‘immanent pragmatics’, or a ‘universal pragmatics’ that is ‘valid for ordinary language as well as for philosophy:’ He insists that we look at ‘that-which-I-do-in-saying and not just what I say’ – for the latter is simply what happens when thought is ‘taken hold of again by philosophy.’ Resisting this hold, non-philosophy performs re-descriptions of philosophy that, in doing so, produce effects on how philosophical texts are seen. All the same, it is notable that Laruelle objects to the focus on activity within the concept of a speech act, and instead emphasizes the ‘descriptive passivity’ that an immanent pragmatics obliges; statements that manifest ‘by their very existence what they must describe in the last instance – statements identically descriptive and performative.’ What Laruelle calls a ‘Performed-Without-Performation’ would be an action of the Real, or the ‘in-One’ – philosophical language seen as a performed without we using this or any language to perform. In this essay, this complex thought is compared with certain concepts and practices of performance that do not come from philosophy so explicitly (Allan Kaprow’s, Richard Schechner’s and Michael Kirby’s especially), but may well offer a key to understanding this passive action of the Real.

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