
“Distinct Characters of Their Own”: Mermaids in late 19th-mid 20th Century Australian children’s fiction
Author(s) -
Marea Mitchell
Publication year - 2021
Publication title -
shima
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.246
H-Index - 4
eISSN - 1834-6057
pISSN - 1834-6049
DOI - 10.21463/shima.133
Subject(s) - narrative , appeal , history , literature , late 19th century , art , art history , sociology , aesthetics , law , period (music) , political science
While mermaids have been found all around the world, their literary and cultural representations are traditionally associated with Europe. Recently attention has been paid to the particular resonance of mer-folk narratives in specifically Australian contexts. Hayward, Floyd, Snell, Organ and Callaway have drawn attention to examples of mer-worlds that directly intersect with and comment on Australian environments. Beginning in the late 19th Century, predominantly women writers relocate mermen and mermaids to explore relationships between land and sea, city and bush that have local resonance for young readers. These stories are often accompanied by rich illustrations designed to appeal to young imaginations. This note comments on three writers whose work relates mer-cultures to Australia: J.M Whitfield, Pixie O’Harris and Harriet Stephens, along with their illustrators, G.W Lambert, Ida Rentoul Outhwaite and O’Harris herself.