The Communicative Function of Phonetic Units in Russian Futurist Poetry

The paper examines the historical connection of phonetics with general linguistics, and reveals why this area of linguistics did not develop neither consistently, nor simultaneously in the structure of philological sciences. Attention is paid to the modern media-text approach to such an area of phonetics as intonation; the latter, in turn, is viewed as part of communication theory. It is hypothesized that such an attitude to sound, to the phoneme, has already been considered among the Futurists, Dadaists, Lettrists, Budelyans and Oberiuts, who interpreted sounds as an unknowable phenomenon that is beyond the cognition of the mind. Here the place and the pragmatic role of modern science on current approaches to phonetics in communicology is determined, where intonation does not refer to either cognitive science or paralinguistics, but, at the same time, unites these two areas of practical speech production. It is hypothetically assumed that such approaches were realized by some representatives of trends and schools of the direction of modernism of the early twentieth century.