z-logo
open-access-imgOpen Access
Komunitas Pengabdi Seni Musik Tradisional Karinding di Kampung Jaha Tangerang
Author(s) -
Tyas Siti Nur Asiyah,
Musahwi Musahwi
Publication year - 2018
Publication title -
simulacra
Language(s) - English
Resource type - Journals
eISSN - 2656-8721
pISSN - 2622-6952
DOI - 10.21107/sml.v1i2.4991
Subject(s) - musical , patience , humanity , aesthetics , value (mathematics) , sociology , constructive , representation (politics) , jazz , art , visual arts , psychology , law , political science , social psychology , computer science , process (computing) , machine learning , politics , operating system
The existence of music as a representation of traditional culture increasingly doubted by various parties. Especially when he has to deal with international music that has a modern genre. In Indonesia, in line with today's global culture, traditional music is slowly being forgotten. Even considered the music peripheral by his own generation because it is not in line with the latest music trends. Is a community of Barak Karinding that plays traditional musical instruments Karinding typical Sundanese, they try to fight the flow. It is important to be studied with regard to the understanding of Karinding musical art, as well as the social values of humanity (local wisdom) that they stretcher in daily life amid the onslaught of global music products today. The type of this research is qualitative, by trying to describe the phenomenon naturally based on the social setting as it is. The results of this study describes among others: a) Karinding music has value, Belief, Patience, Conscious. As a universal message of their music. b) loving art is loving humanity. That is, musical works are not created for the interests of the market as the mindstream of music today, but to develop constructive human beings.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here