Open AccessEstética y teoría de la sensibilidad en el pensamiento andalusí
Author(s) -
José Miguel Puerta Vílchez
Publication year - 1999
Publication title -
revista española de filosofía medieval/revista española de filosofía medieval
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
H-Index - 1
eISSN - 2530-7878
pISSN - 1133-0902
DOI - 10.21071/refime.v6i.9664
Subject(s) - sensibility , philosophy , arabic , islamic philosophy , islam , meaning (existential) , perception , epistemology , subject (documents) , arabic literature , humanities , literature , theology , art , linguistics , library science , computer science
Understanding Aesthetics in it's etymological meaning as the "science of the perception" makes any study of the theory of the sensibility essential to understand a given aesthetics. Moreover, theories of sensibility and knowledge in Arabic and Islamic classical culture, have hardly been probed in it's aesthetic dimension. As a result of this, the spread of conceptualizations about Arabic and Islamic aesthetics has, in many cases, sunk in a sea of imprecisions and prejudgements. In the following pages, we present an approximation of these topics through works of greats thinkers from Al-Andalus such as Ibn Hazm, Ibn Bayya, Ibn Tufayl, Ibn Rusd, Hazim al-Qartayanni, Ibn 'Arabi and Ibn Jaldun, in whose works we appreciate a clear, though diverse, intention of constituting a cognizant and percipient human subject, ethically and aesthetically defined, across psychologies and concepts that we will also discover in the construction of Aesthetics in the West.