Open AccessYuan time metal mirror from the collection of the Altai State Museum of Local Lore
Author(s) -
N. Seregin,
E.A. Narudtseva,
A. Chistyakova,
S. S. Radovsky
Publication year - 2021
Publication title -
vestnik arheologii, antropologii i ètnografii
Language(s) - English
Resource type - Journals
eISSN - 2071-0437
pISSN - 1811-7465
DOI - 10.20874/2071-0437-2021-52-1-4
Subject(s) - state (computer science) , history , quarter (canadian coin) , period (music) , artifact (error) , composition (language) , documentation , china , art , visual arts , archaeology , literature , computer science , aesthetics , algorithm , computer vision , programming language
This article is concerned with the Chinese metal mirror, which, as it has been found during the study, has been stored for a long time in the collection of the Altai State Museum of Local Lore, but as yet has not attracted the attention of specialists and has not been introduced into scientific discourse. A special research has been required to determine the time and circumstances of its arrival to the museum, which involved working with the documentation of the Altai State Museum of Local Lore, stored both within the institute and in the State Archives of the Altai Territory. It has been concluded, that the mirror represents an occasional find and it came to the mu-seum in the first quarter of the 20th century from the Yenisei Province (currently, the southwestern part of Kras-noyarsk District. The article presents a detailed morphological characteristic of this artifact. The basis of the com-position in the ornamented part of the mirror is a stylized image of a single dragon. Its mouth is trying to grasp the holder, which symbolizes the “fire pearl”. The analysis of the specialised literature and catalogues showed that in Chinese mirrors such composition appeared only during the Tang Dynasty (618–907) and continued to exist dur-ing the Song Period (907–1279). It has been determined that the composition presented on such objects was reproduced for several centuries (Jin, Liao, and Yuan Dynasties), undergoing transformations associated with stylistic nuances (details of the image, shape of mirror, presence or absence of inscriptions) and size and quality of the objects. Based on the obtained data, the mirror from the Altai State Museum of Local Lore has been attrib-uted to the Yuan dynasty period. There are almost no analogies to such objects in Northern and Central Asia, despite the significant number of mirrors of the Mongolian time stored in collections of Siberian museums. There-fore, it seems possible to acknowledge the rarity of these very specimens; the fragmentarity of their distribution could possibly be explained by peculiarities of the history of specific craft centers that have yet to be investigated.