
MEMÓRIA DISCURSIVA: A RESSIGNIFICAÇÃO DOS DITADOS POPULARES EM LETRAS DE MÚSICA BRASILEIRAS COMO FORMA DE CRITICAR OS SUJEITOS EM SEUS DIFERENTES PAPÉIS SOCIAIS
Author(s) -
Francisco Alves Filho,
Lafity Dos Santos Alves
Publication year - 2020
Publication title -
entremeios
Language(s) - English
Resource type - Journals
ISSN - 2179-3514
DOI - 10.20337/issn2179-3514revistaentremeiosvol22pagina255a263
Subject(s) - subject (documents) , ideology , meaning (existential) , sociology , lyrics , civil discourse , humanities , discourse analysis , linguistics , philosophy , epistemology , politics , literature , art , political science , library science , computer science , law
The discourse is the result of a game of effects of meaning in which different positions of subject dialogue, weaving a new discourse inscribed historically, socially and ideologically. When we are facing a new event, we make use of something that has already been said at a given time and place. However, the subject-enunciator resignifies this way of saying to take that discourse, which is collective, as something of an individual character. And its purpose is to criticize the behavior of the subjects in their different social roles. Therefore, the subject feels the source of a saying that is social and historical. Therefore, this work aims to analyze the functioning of discursive memory in Brazilian lyrics that use proverbs. For this, we used mainly the discursive theories on discourse and discursive memory by Pêcheux (1988; 2010) and Orlandi (2007).