Open AccessChinoiserie in Russian culture before XX century
Author(s) -
Xing He,
AUTHOR_ID
Publication year - 2021
Publication title -
mir russkogovorâŝih stran
Language(s) - English
Resource type - Journals
ISSN - 2658-7866
DOI - 10.20323/2658-7866-2021-4-10-127-141
Subject(s) - sculpture , emperor , clothing , china , enlightenment , sinology , ornaments , politics , style (visual arts) , architecture , chinese culture , chinese art , fine art , history , period (music) , meaning (existential) , russian culture , decorative arts , ancient history , the arts , art , literature , art history , visual arts , aesthetics , political science , law , philosophy , visual arts education , theology , archaeology , epistemology
The article deals with the content and meaning of the Chinoiserie art style, which appeared in Europe in the 17th century and is based on traditional Chinese culture. It has distinct Chinese features and reflects a lot of Chinese elements. Chinoiserie still has a great influence on world culture in various spheres of art. The main focus is on the formation and spread of chinoiserie in Russia, which was related to the beginning of the Enlightenment era, the development of Chinese-Russian trade, and the published works on sinology that appeared at that time. In addition, the geographical proximity of the two countries is also considered a major factor in the spread of chinoiserie in Russia. There are several stages in the existence and evolution of chinoiserie in Russia: the era of Emperor Peter the Great (18th century), when elements of Chinese architecture, sculpture, art, clothing, decor and ornaments, household items and utensils appeared. At the same time there also appeared imitations of Russian masters of Chinese decorative and applied arts. During this period of time, ordinary people are also introduced to Chinese items and products, such as cotton cloth, silk, porcelain, tea, rhubarb, etc., which are now an integral part of life in Russia. The next era of introducing Chinese culture is the 19th century. It is connected with the spread of international relations and political ties. But chinoiserie evolution at this time was no longer as rapid and multifaceted as it had been a century earlier. The author concludes that chinoiserie reached its peak in Russia in the XVIII century, gradually began to decline in the XIX century, but in the XX century and nowadays it is becoming popular again.