Open AccessMEDIALING AND STYLISTIC FEATURES OF DIRECT TELEVISION INCLUSION
Author(s) -
Sergei V. Karpiy
Publication year - 2020
Publication title -
verhnevolžskij filologičeskij vestnik
Language(s) - English
Resource type - Journals
ISSN - 2499-9679
DOI - 10.20323/2499-9679-2020-4-23-51-58
Subject(s) - inclusion (mineral) , broadcasting (networking) , context (archaeology) , sociology , computer science , history , social science , computer network , archaeology
The phenomenon under study as a branch of linguistics and a unique product of speech and cognitive activity is also subject to characterization, linguo-stylistic analysis, because any communication of society is part of speech genres, and for practicing direct inclusion of journalists it is necessary to have the skills to use an oral television text, which is a linguistic organization that attracts attention audience with its anthropocentric nature. It also has a specific style, which completely depends on the composition and construction of media communication, since the quality of an oral message in the context of direct inclusion depends on its logic, connectedness, accuracy and accessibility. Therefore, direct television inclusion, in addition to the creative component, is a complex syntactic and lexical system, which has communicative and functional significance for the scientific and applied environment. Over the more than twenty years of its development, live broadcasting has not only become a strategic component of air, broadcasting and reporting, but has also generated new dynamic genre forms in television journalism, for example, performance, and this, in turn, has led to the emergence of an important trend in television organizations. Its essence is in relying on the reporter, which led to the emergence of such a concept as «universalism», which modern journalists aspire to in order to cope with all the tasks of television production, and therefore to compete confidently in the labor market.