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Emulación pictórica y experiencia ilusoria: pictorialismo en El biombo y los frutos de Jesús Gardea
Author(s) -
Daniel Arturo Samperio Jiménez,
AUTHOR_ID
Publication year - 2021
Publication title -
acta poética
Language(s) - English
Resource type - Journals
eISSN - 2448-735X
pISSN - 0185-3082
DOI - 10.19130/iifl.ap.2022.43.1.458725
Subject(s) - narrative , representation (politics) , painting , gaze , phenomenon , art , aesthetics , humanities , literature , philosophy , psychology , art history , psychoanalysis , epistemology , political science , law , politics
Belonging to the last stage of Jesús Gardea, El biombo y los frutos is one of his most enigmatic and perplexing novels. This article examines the relationship with painting in this work under the notion of pictorialism as a textual phenomenon that creates pictorial effects in the narrative. In particular, the dialogue between painting and gaze is analyzed, where the narration plays with both the vivid and illusory experience of representation in the story. With this, it sets out to elucidate one of the most suggestive elements of Gardea’s writing, especially manifested in this novel, not without seeking to contribute to a greater understanding of the author’s latest creative stage and aesthetic proposal.

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