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De Holocausto (1978) a Chernobyl (2019): ¿Qué puede hacer el audiovisual ante un pasado traumático y un futuro amenazado?
Author(s) -
Ilana Feldman,
AUTHOR_ID
Publication year - 2021
Publication title -
acta poética
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 1
eISSN - 2448-735X
pISSN - 0185-3082
DOI - 10.19130/iifl.ap.2022.43.1.458722
Subject(s) - genocide , humanities , the holocaust , state (computer science) , art , history , art history , political science , law , computer science , algorithm
Retracing the cultural history of the reception of the TV series Holocaust (1978) as it redefined the politics of the State and put the testimony for the first time at the centre of the cultural field, undermining how the Jewish genocide was perceived until then, the article aims at discuss —by the contributions of Annette Wieviorka and Georges Didi-Huberman, among others— through a comparison with the hbo series Chernobyl (2019) and other cinematographic productions, what audio-visual is capable of in front of different forms of State violence, of a traumatic past and of a threatened future.

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