z-logo
open-access-imgOpen Access
Animal archeology: Domestic pigeons and the nature-culture dialectic
Author(s) -
Colin Jerolmack
Publication year - 2007
Publication title -
qualitative sociology review
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.315
H-Index - 14
ISSN - 1733-8077
DOI - 10.18778/1733-8077.3.1.06
Subject(s) - domestication , dialectic , inscribed figure , meaning (existential) , globe , sociology , function (biology) , aesthetics , environmental ethics , epistemology , biology , ecology , art , evolutionary biology , philosophy , geometry , mathematics , neuroscience
This paper historically traces the purposive domestication of pigeons in order to examine the dialectical relationship between nature and culture. It is demonstrated that each instance of the domestication of the pigeon for a new function (i.e., food, messenger) also entailed the construction of a role of the bird in human society, replete with symbolic representations and moral valuations. Yet it is also argued that, though animals are repositories for social meaning, and culture is literally inscribed into the physical structure of domesticated animals, such meanings are patterned and constrained according to the biological features of the animal itself. The ubiquitous and unwanted “street pigeon” now found around the globe is the descendent of escaped domestic pigeons, occupying the unique and ambiguous category of “feral”- neither truly wild nor domestic. Ironically, the very traits that were once so desirous and that were naturally selected for are now what make the feral pigeon so hard to get rid of and so loathsome.  

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here